"An outgrowth from my architecture, in some of my works I use the grid as the paradigm to organize a composition. Quadratflux II is a furthering of geometric explorations of my other works, Quadratafield I and Boxed In. But here, in an effort to create even more energy and kinetic motion, I’ve copied and shifted the grid down a quarter distance of the grid module height and layered it on top of the base grid. The base grid is 9 columns and 7 rows and creates a matrix of 63 squares. Inscribed within each square is another rotated square. The angle of rotation of the squares alternate at 30 degrees and 60 degrees. When four grid sections meet, the spaces between the rotated squares make rhombuses (diamonds). As the boxes alternate, so do the rhombuses from vertical to horizontal. A color palette fills the different geometric parts. When this base grid and geometric arrangement within is shifted to the right, something optically amazing happens. By changing the opacity of the shifted grid 50%, the intersections of the two layers of grids form ribbon like shapes that flow across the picture plane and a mysterious energy emanates as if the boxes are vibrating. If you stare at the picture, double helixes appear. This is an example of how I use geometric abstraction, using color and geometry to express motion and energy. I strive to bring through works like this one, optical joy to the viewer and for me, its creation is meditative and healing, allowing me to escape to a place where pain does not live."

- Andrew Reach

Prints are produced on demand on stretched canvas, acrylic plexi, or giclee fine art paper in a variety of sizes here in the United States.

Contact ArtLifting for larger size options.